Semi Light Pendant, Claus Bonderup and Torsten Thorup

About This Piece

Contemporary Design

Semi-light pendant, Claus Bonderup and Torsten Thorup Dimensions: 23.5 x 47 x 47 cm Material: Copper Designer: Claus Bonderup and Torsten Thorup Produced by Gubi in Denmark The semi pendant is a unique pendant lamp, based on two quarter-circles put together, back-to-back. It's distinctive arch-shaped, enamelled metal shade creates a diffused, cone-shaped light, ideal over a dining table or kitchen work surface. With its lightness of form, unique timeless design and range of colors and sizes, the semi pendant is extremely versatile and well suited to both private and public spaces. The semi pendant was designed in 1968 as a product of the creative partnership between Claus Bonderup and Torsten Thorup. Reacting against the soft organic forms, the so-called cosy era, that was dominating Denmark at the time, Bonderup and Thorup wanted to create a lamp that incorporated sharp, clean lines and a geometric shape. Their design was submitted for a competition at the Royal Danish Academy of Fine Arts, School of Architecture and won first prize. In the 1980’s the pendant achieved great success and became, at that time, the best-selling Danish design and gained worldwide recognition and iconic status.

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Creator	Louis Weisdorf
Design Period	From 2000
Year	2017
Production Period	2010 to Present
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Contemporary
Detailed Condition	New — This is a new (unused) item of contemporary design.
Product Code	KYZ-719771
Additional Information	Made to Order
Materials	Copper, Enamel, Metal, Fir
Width	47 cm 47 cm
Depth	47 cm 47 cm
Height	24 cm 23.5 cm
Weight Range	Standard — Between 40kg and 80kg

Shipping & Delivery

Manufacturing Time	8 weeks or longer
Ships from	France
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Louis Weisdorf

Born in 1932, Danish architect-designer Louis Weisdorf graduated from the Royal Danish Academy of Fine Art in Copenhagen in 1954. Although his career has been long and multifaceted—his projects have spanned graphic, furniture, and interior design—he’s best known for the iconic lighting designs he created for Lyfa in the 1960s and ’70s.

In the years following school, Weisdorf worked for a number of high-profile Danish designers, including Poul Henningsen and Verner Panton. In 1961, Simon Henningsen (son of Poul) hired Weisdorf to assist him in overseeing the development and management of Copenhagen’s famous Tivoli Gardens, where Henningsen installed a number of artistic light fixtures, both indoors and out. Weisdorf held this position for a decade. Around 1965, he launched his own design studio, sharing a space with Ole Panton , brother of Verner.

Some of the most beloved lighting designs that Weisdorf put into production with Lyfa include the Konkylie Hanging Lamp (1963), Facet Pendant (1963), Turbo Pendant (1965-67), Facet Pop Pendant (1970), Ekko Pendant (1966-68), and Multi-Lite Collection (1972-74). Because Weisdorf’s designs tended to involved intricate, overlapping layers of metal or plastic—an eye-catching composition for reducing glare—Lyfa sold his work as “prestige lighting.” Consequently these pieces were not produced in very large quantities, and they went out of production when Fog & Mørup acquired Lyfa in the 1970s.