Mid-Century Table Lamp attributed to Charlotte Perriand for Philips, 1950s

Born in Paris in 1903, Charlotte Perriand studied at the Ecole de l’Union Centrale des Arts Décoratifs. In 1927, inspired by his architectural treatises, Perriand persuaded Le Corbusier to employ her. He put her in charge of prototype production and public presentations of the studio’s work. In collaboration with Pierre Jeanneret, Perriand developed a series of tubular steel chairs, which were—and are still today—hailed as icons of the machine age.

In 1940, she travelled to Japan as an official advisor on industrial design. When Japan joined the war, she found herself trapped in Vietnam from 1942 until 1946. During her exile, Perriand studied local techniques of woodwork and weaving. She returned to France intent on introducing straw and bamboo to modern design.

Back in France, Perriand continued her work with Le Corbusier and Prouvé. She was integral to the design of Le Corbusier’s Unité d’Habitation in Marseille. She remained an influential figure in the modern movement until her death in 1999.

Fascinated by Thomas Edison’s first incandescent light demonstrations in 1879, Gerard Philips (1858-1942) enlisted his father’s help to purchase a small tract of land in Eindhoven, Netherlands, in order to establish his own light bulb factory in 1891. After a year, Anton, Gerald’s youngest brother, joined the company as a salesman, which helped the company grow quickly into the largest carbon-filament producer in Europe. In 1912, Philips signed a historic contract with the Tsar Nicolas I, who ordered 50,000 light bulbs for his Winter Palace in St Petersburg. The same year, Philips entered the Euronext Amsterdam Stock Market.

From the beginning, Philips was an export-oriented company that aspired to make a mark on the fast-growing electricity industry. In 1914, Philips launched its famous NatLab, a research center dedicated to exploring physics and chemistry to develop new product ranges. Two years later, Philips celebrated its 25th anniversary and was given the title Koninklijke Philips Electronics (Royal Philips Electronics) by the Dutch monarchy.

Over the decades, Philips has produced a very wide range of products, such as medical X-ray tubes, radios, electric shavers, televisions, cassette and CD players, VHS and DVD players, and much more. In terms of design history, the company began to make a mark in 1925, when Dutch designer Louis Kalff joined the company as art director. He was later put in charge of the Lighting Division. Not only did Kalff elevate the quality of Philips’s branding, he went on to produce a series of electronics and lighting designs that achieved iconic status. Kalff’s many designs for Philips include Chapel Radio (1931), Philips Philishave (1939), and a number of lamp designs in the 1950s that typically feature enameled metal shades mounted on brass stems—the most sought-after of which is colloquially called the Z Table Lamp (1955).

Notably in the 1990s, Philips teamed up with Italian homewares company Alessi to produce a colorfully postmodern collection of appliances, like toasters, kettles, coffee makers, and juicers.

Today, Philips has a team of nearly 500 designers —one of the largest and most diverse of its kind in the world. In response to 21st-century conditions and technologies, Philips is shifting its focus from products to experiences, aiming to maximize the full potential that the Internet of Things, big data, and digital eco-systems can offer.