Marcel Janco, White on White, Mixed Media and Collage Plaster, 1960

Marcel Janco - Blanc sur Blanc, circa 1960
A rare and exquisite example of this dadaist work of art, hand-signed twice by the famous dadaist and constructivist romanian-israeli artist.
Hand-signed in pen lower right Marcel Janco and inscribed from left to the middle : "Epreuve d'Artiste", also hand-signed and inscribed on the back: Facsimile Marcel Janco 1918 Epreuve d'Artiste.

Size: 60 x 40 cm
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Marcel Janco (German: [maɐ̯ˈsɛl ˈjaŋko], French: [maʁsɛl ʒɑ̃ko], common rendition of the Romanian name Marcel Hermann Iancu[1] pronounced [marˈt͡ʃel ˈherman ˈjaŋku], last name also Ianco, Janko or Jancu; May 24, 1895 – April 21, 1984) was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In the 1910s, he co-edited, with Ion Vinea and Tristan Tzara, the Romanian art magazine Simbolul. Janco was a practitioner of Art Nouveau, Futurism and Expressionism before contributing his painting and stage design to Tzara's literary Dadaism. He parted with Dada in 1919, when he and painter Hans Arp founded a Constructivist circle, Das Neue Leben.

Reunited with Vinea, he founded Contimporanul, the influential tribune of the Romanian avant-garde, advocating a mix of Constructivism, Futurism and Cubism. At Contimporanul, Janco expounded a "revolutionary" vision of urban planning. He designed some of the most innovative landmarks of downtown Bucharest. He worked in many art forms, including illustration, sculpture and oil painting.