Dutch Sewing Table by Coen De Vries for Everest, 1950s

About This Piece

Vintage Design

A lovely sewing box designed by Coen de Vries, manufactured by Everest in the Netherlands around 1950.

This mid-century piece has a square white metal base and holds a rectangular wengé wooden sewing box. When opened, it reveals plenty of storage compartments for many different small items and sewing material. Underneath there is a wooden shelf for additional items. A lovely find of modern design.

It remains in good, vintage condition with wear consistent with age and use, preserving a beautiful patina.

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Creator	Coen de Vries
Design Period	1950 to 1959
Production Period	Before 2010
Country of Manufacture	Netherlands
Identifying Marks	This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style	Vintage
Detailed Condition	Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details	Light wear consistent with age and use, Patina consistent with age and use
Product Code	DV-1223888
Materials	Metal, Wood
Color	Brown, white
Width	58 cm 58 cm
Depth	41 cm 40.5 cm
Height	47 cm 47 cm
Weight Range	Standard — Between 40kg and 80kg

Shipping & Delivery

Ships from	Netherlands
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Options

Front Door Delivery: (Included in Every Order)	A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below). The delivery partner will email and/or call you at least one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.
In-Home Delivery: (For in-home delivery service, additional fees apply. Please get in touch)	A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers. The delivery partner will email and/or call you one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.

Front Door Delivery:
(Included in Every Order)

A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)

A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
The delivery partner will email and/or call you one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Coen de Vries

Dutch industrial designer Coen de Vries was born in The Hague in 1918. From 1940 until 1946, he studied interior design at the Royal Academy of Fine Arts in The Hague under Dutch designer Cor Alons (1892-1967). During this time, he also studied on exchange at the Institute of Applied Art (IvKNO) in Amsterdam under visionary architect Mart Stam (1899-1986) and functionalist architect-designer Johan Niegeman (1902-1977). After graduating in 1946, de Vries became a member of the Amsterdam group known as “De 8” from 1947 until 1949. Founded in 1927, De 8 was an architectural avant-garde association that consisted initially of rationalist architects who were educated in the spirit of the Amsterdam School, such as Benjamin Merkelbach (1901-1961), Charles Karsten (1904-1979), and Han Groenewegen (1888-1980).

After graduating, de Vries established his own store named De Sleutel (The Key) in Amsterdam. Here he produced and sold his own designs as well as others, making him the first Dutch interior architects to do so. He produced practical, yet modern furniture at an affordable price in light woods with simple construction and upholstered in brightly colored fabrics.

The philosophy behind De Sleutel was in line with the views propagated by the Stichting Goed Wonen. Like many of his Dutch post-war contemporaries, de Vries was also a member of this Dutch organization. Founded in 1946, the Stichting Goed Wonen (Good Living Association) was a design and industry partnership that was committed to postwar reconstruction and quality-of-life improvements through good design. The group forged many strong collaborations between artists, designers, architects, manufacturers, and customers, which resulted in widespread interest in modernist design principles and aesthetics in the Netherlands. Between 1952 and 1961, de Vries designed five houses for the association in the cities of Weesp (1952-1953), Amsterdam (1956 and 1958-1959), The Hague (1957), and Utrecht (1961). In addition to his work for Goed Wonen, de Vries was often commissioned for the construction of private residential buildings and renovations of interiors.

Over the course of his career de Vries worked as an industrial designer for various manufacturers including Bruynzeel Cabinets, Devo, Eeka Furniture, Everest, Fröscher, Gispen, and Pilastro. De Vries’ work - which spans tables, desks, sofas, and accessories - includes a Model LV1 Coat Rack for Pilastro (1953), a desk in birch with an ebonized x-base for Devo (1954), the Delta Series for Lips (1959), the No. 1451 Chair for Gispen (1967).

Notably, from 1966 to 1972, de Vries was a member of the Council for the Arts, a national advisory board to the Minister of Culture, and from 1977 to 1980 he was a member of the Committee on Architecture of the Amsterdam Arts Council.